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  <titleInfo>
    <title>Tunogtugan</title>
    <subTitle>twenty essays on musical and sonic traditions</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Santos, Ramón Pagayon</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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    <role>
      <roleTerm type="text">author. </roleTerm>
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    <place>
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    <place>
      <placeTerm type="text">Quezon City</placeTerm>
    </place>
    <publisher>The University of the Philippines Press</publisher>
    <dateIssued>c2023</dateIssued>
    <dateIssued encoding="marc">2023</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>ix, 376 pages : illustrations (black and white) ;  25.40 cm.</extent>
  </physicalDescription>
  <abstract>"The present compendium is a collection of lectures, papers, and essays that deal with broad topics such as globalization, ethnicity, and the diversity of musical traditions to more specific subjects such as composition, dance, education, musicology, the plucked stringed Instruments of the world, as well as musical attributes like motion and stasis, time and space, pluralism and change. These writings explore culture from the point of view of the performing arts in their contextual loci, defining their particularities and pecullarities that give a glimpse of the wide Catholicity of perceptions, functions, theories, as well as circumstances, both natural and humanly Induced. In a sense, these essays reflect Ramón Pagayon Santos's personal odyssey Into the world of the arts and humanities as composer, educator, performer, researcher, and administrator, by which his sensitivities and thinking have been Induced to explore the different aspects and attributes of music and beyond." --Provided by the publisher </abstract>
  <tableOfContents>Contents: Part one Music as global phenomenon -- 1 Local musical production in a global community -- 2 Cultures of expression as source of cross-disciplinal thrusts in human productivity -- 3 Ethnicity and muic composition as globalized human expression -- 4 The plucked string: a diverse phenomenon in the musical traditions of the world's cultire -- 5 Dance: a view from music -- 6 Science in the arts and art in science in a university culture -- Part two Music in Asia -- 7 The concept of time and space in Asian artistic expression -- 8 A concept of community in Asian creative expression -- 9 Diversity and change in Asian music traditions -- 10 Musicology: a brief review and its impact on Asia -- 11 Modern technology and the musics of Asia. </tableOfContents>
  <targetAudience>Adult </targetAudience>
  <targetAudience authority="marctarget">adult</targetAudience>
  <note type="statement of responsibility">Ramón Pagayon Santos. </note>
  <note>Includes bibliographical references and index. </note>
  <note>Purchased  Lauron, Rodello General Education General Education : Music</note>
  <note>Text in English </note>
  <subject>
    <topic>Philippine essays (English</topic>
  </subject>
  <subject>
    <topic>Music</topic>
    <topic>Historiography</topic>
  </subject>
  <subject>
    <topic>Music theory</topic>
    <topic>History</topic>
  </subject>
  <identifier type="isbn">9789715429214 [paperback]</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">University of Cebu-Banilad</recordContentSource>
    <recordCreationDate encoding="marc">250911</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250911103846.0</recordChangeDate>
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